During the acrimonious campaign by which former Panamanian ambassador to the
United States and foreign minister Ricardo Alberto Arias gained control of
La Prensa, Arias complained to stockholders that the newspaper's profits were
slipping, and vowed to reverse the trend. His supporters complained about
high salaries, foreign journalists and foreign content.
Several months into Arias's reign, we see some results. Editor
and investigative reporter Gustavo Gorriti is back in Peru. Business page
editor Miren Gutiérrez, a Spaniard, is also gone, and as this article
was written several weeks after her departure, the paper's staff box indicates
that her position remains vacant. A number of the old reporters are gone,
and some less experienced and probably lower paid reporters have come onto
the staff. The business section now has hardly any news from Panama (now we
see page after page of wire stories, mostly about US business), but there
is a new "reseña empresarial," wherein business owners get
their pictures in the paper, standing next to similarly suited "dignitaries."
The paper now runs unsigned political smears, like a recent story in which
a Panamanian man who plays dominoes in a downtown plaza was shown standing
behind labor leader Genaro López and misrepresented as a Cuban spymaster
who was allegedly behind the riots over bus fare increases. All in all, La
Prensa now looks a lot like a capitalist version of Granma, Fidel Castro's
paper.
On June 15, however, page 1B of La Prensa featured several
photos that were different from the new style, to illustrate a story about
hazards left behind at former US military sites. Three of the four photos
were by the author of this article, Panama News editor Eric Jackson. They
were used without payment or permission, or even the courtesy of asking.
We have also been recently informed by veteran Panamanian photographer
Carlos Guardia that he is contemplating a lawsuit against La Prensa for what
he claims is the unauthorized and uncompensated use of his work.
La Prensa's new practices are in keeping with the practices
of the administration that Ricardo Alberto Arias used to serve. While Arias
was with the Foreign Ministry during the Pérez Balladares administration,
over this journalist's objections a frequent pirate of works by this and several
other Panamanian newspapers, publisher Roberto Morgan of the bilingual New
York monthly Presencia Panameña e Hispana, received an award from the
ministry for his alleged contributions to Panama.
Thus La Prensa's new cost-cutting style is out there for all
to see: it has much in common with the way that Felicidad de Noriega gets
buttons.