We are told through the online arts grapevine (that is, by InfoArte, to
which you can subscribe by sending an email request to cenvip@ancon.up.ac.pa)
that that eclectic music scene that some call 'Bohemian' and others may call
'alternative' (but the latter in the Panamanian rather than the US sense of
the word), which used to make its headquarters the old El Aleph Cafi, is now
relocating to Benny's, the bar at the Restaurante Guantanamera on Calle 46E
and Calle Venezuela in Bella Vista (phone number 225-4620).
InfoArte's source is one Luis Arteaga, whom you may have heard as a solo
balladeer, or as part of a band doing salsa or Brazilian music, or as a member
of the renowned Grupo Tuira. He's a worthy representative of a musical movement
that draws on influences from around Latin America and from the West Indies,
as well as from Panama's Interior, to create something distinctly and proudly
Panamanian. The nationalistic bona fides of this music scene are rejected
by President Moscoso, whose concept of 'Panamanian music' doesn't go much
beyond traditional cumbia and tamborito tunes, but Arteaga and many of the
other creative talents of the Bohemian scene celebrate their culture in the
Grammy-winning Ruben Blades album 'La Rosa de los Vientos.'
While the geographical center of 'musica tipica' (cumbia, tamborito, decimo,
etc.) is in Panama's central provinces, the alternative scene of which Arteaga
is a worthy representative is strongly centered in Panama City. As they enjoy
little or no political patronage or corporate sponsorship, Panama's Bohemian
musicians need not stifle the social content of their lyrics or hew to racist
or nationalist concepts of what 'Panamanian influences' are. And thus they
have given Panama a cultural contribution worthy of the Crossroads of the
World, but which has few venues in which it can be performed.