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arts
Also in this section:
The
new San Carlos arts center starts with a little party
Idania Dowman, who replaced the late Barbara Wilson as the singer for the Jazz Effects, started the afternoon off with band leader Reggie Boyce playing the trumpet alongside her.
Scenes from a Saturday of jazz in Plaza Catedral photos, captions and in some graphics electronic manipulations by Eric Jackson
The Effects play some straightforward jazz, with modern and Latin influences but sounding much like mainstream US jazz after the big bands and before bebop
Babito, a Brazilian who has been a regular on the Panamanian scene for some 25 years, led his band in some South American style riffs...
...with a hint of this country's musical traditions
Next band up was the New England Conservatory's jazz ensemble
Out in the crowd trumpeter and band leader Vitín Paz, center, was taking in the free concert and socializing with a younger generation of jazz musicians
And festival co-sponsor Ricardo Perez SA entertained between sets with the car dealership's murga
Uruguayan pianist Nando Michelin actually wasn't in a blue mood --- he was really enjoying himself and his first exposure to Panamanian musical traditions during this festival
The percussion section of the Banda Tributo a Chile included drummer Pancho Molina, who is better known to rock audiences for keeping the beat for Los Tres
Playing sax, introducing the songs and even dancing the cueca for the Banda Tributo a Chile was Patricia Zárate
Mexican singer Mili Bermejo and her American husband and bassist Dan Greenspan teamed up with Zárate, Molina and Michelin for the tribute to Chilean culture
The most amazing and well received new sensation for Panamanian jazz fans was Colombian harpist Edmar Castañeda. It wasn't just him, however. The entire band, which included trombone player Marshall Gilkes, drummer Dave Silliman and the vocalist Andrea Tierra, played brilliantly, mixing innovative jazz forms --- including some trombone work like you probably have never heard before --- with Colombian traditional music. In a festival dedicated to a late great female vocalist Tierra, who did not play in the publicity, wowed the audiences at least as much as any of the other talented women who sang. The CDs this band brought to sell were quickly snapped up by the fans and Castañeda's group got the concert's biggest ovations
Nnenna Freelon, backed by a superb international band, is the jazz diva with the five Grammy nominations. Often mentioned in connection with her singing is Sarah Vaughn, but if she's arguably in that tradition it has to be said that Freelon's blazing new trails from the points of departure left by the outstanding female jazz singers of yesteryear
Beverly Botsford is the percussionist in Nnenna Freelon's band
After Nnenna Freelon, festival organizer and renowned pianist Danilo Pérez showed off the talented kids who are much of the focus of these events, which include workshops, auditions and seminars for younger musicians as well as public concerts. Above we have Panamanians Jahaziel Arrocha on sax and Milagros Blades on tambor, with Pérez and 12-year-old Tony Machuca (below) playing a four-handed piano along with them
Next were the Mildes, a group composed of kids backed by their adult teachers that plays cumbias, tamboritos and other Panamanian genres. Milagros Blades, the group's drummer, could be said to be the "star," but in years to come we'll likely hear more from several of these youngsters
Almost hidden behind a drum set, we heard the festival's top-billed attraction, Billy Cobham. He came out and played with Pérez, Machuca, Arrocha and Blades and then was part of the Panamanian all-star band that closed out the free concert
Renato Thoms played percussion with the Panamanian masters
And again in the finale, we heard Danilo Pérez
Also in this section:
Scenes from the Panama
Jazz Festival, the first night
The
new San Carlos arts center starts with a little party
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