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Volume 15,
Number 1 |
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Also in
this issue's culture section: ![]() The festival 's arts education starts with the young ones 2009 Panama Jazz Festival underway photos and story by Eric Jackson "From the
beginning, the Panama Jazz Festival was something unique, because of
its orientation toward the youth," Panama City Mayor Juan Carlos
Navarro explained. Describing the festival as the "backbone" of musical
education in Panama, the mayor noted that it has been a "priceless"
opportunity to show off the city, especially the historic Casco Viejo,
but said that to him, it's something much more: "Year after year, I
have come to the Jazz Festival and supported it, but not only have I
attended, I have always come away with a sense of wonder and awe."
![]() Patricia Zarate, a Chilean, a noteworthy sax player and a music professor, directs the festival's educational clinics Tourism Minister Ruben Blades, a notable entertainer himself, opined that "we still can't know the effect of these efforts on our youth. It's not easy to compete in a system where there are so many talented people and so few opportunities." So how is it affecting tourism? Blades said that the Panama Tourism Authority doesn't directly collect the statistics, but it will be getting figures from hotels, airlines and other sources that will allow the organization to estimate the extent of the phenomenon, but added that publicity for the festival is reaching all over the world, to the extent that he found that people he met in Europe knew about it. To European music fans, however, it's an event like many other jazz festivals. But the educational part of it --- the clinics, the auditions, the chance for a few young prodigies to be discovered and perform before an international audience --- is the larger and fastest-growing part. Patricia Zarate, the musician and professor who heads the festival's educational clinics, pointed out that for her and many other volunteers "the festival is a culmination of our year's activity." The government has recently given the Danilo Perez Foundation, the organization behind the jazz festivals, the old conservatory building on Plaza Herrera in the Casco Viejo, and with the new headquarters those activities are going to increase. Zarate invited artists and others with talents and time to give to come to the foundation and volunteer to lend a hand with its projects. ![]() Milagros Blades is one of the brilliant young talents who was discovered at a previous Panama Jazz Festival Danilo
Pérez, whose young daughter was having a wonderful time running playing
with the adults and kids assembled at the Panama Canal Authority's Ala
Gerencial in the old Balboa High (now the Ascanio Arosemena Educational
Center), expressed similarly parental attitudes about the festival he
founded and directs. "We have this baby we're trying to raise. It's
about talent ("talento" in the Spanish he was using) but 'ta lento
("está lento" or it's slow, in Panamanian Spanish)."
"I'm in a missionary mode," Pérez told the assembled reporters. "When you commit to that, you can never stop --- that's the way it is." ![]() Also in
this issue's culture section: News
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2008 by Eric Jackson email: editor@thepanamanews.com or e_l_jackson_malo@yahoo.com Mailing
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