Panama advances to the Gold Cup semi-finals, 6-5 over Trinidad-Tobago on penalty kicks
Mechanical failure? Terrorism? Friendly fire? Meteorite? Seventeen years after the tragic incident, investigators have dredged up everything but the truth.
Flight from the truth: the enigmatic TWA 800 disaster investigation
by W. E. Gutman
On page 16, in its Sunday, October 18, 1998 editorial section, The New York Times ran a full page ad urging government agencies in bold banner headlines to “END THE COVER-UP” and asserting that “Two Missiles Brought Down TWA Flight 800.” The ad was sponsored by the Associated Retired Aviation Professionals, a group headed by Admiral Thomas H. Moorer (retired), Rear Admiral Mark Hill (retired), USAF Brigadier General Ben Partin (retired), USN Commander William Donaldson (retired) and three veteran military and civilian aviators, including the flight engineer who had flown on the inbound leg of TWA 800’s flight from Athens the day before the plane went down off the coast of Long Island on July 17, 1996 as it proceeded toward Paris and killing 230 people on board.
The ad further affirmed that the FBI had interviewed 115 “credible eyewitnesses” who claimed to have seen an object believed to be a missile streak upwards toward the airliner and explode.
From the start, FBI investigators suspected it was foul play but refused to release eyewitness statements; and the National Transportation Safety Board refused to let a single eyewitness appear at the highly publicized final hearing on the cause of the tragedy. So why the secrecy? And why did the mainstream media go sheepishly along with this devious suppression of eyewitness testimony?
On the eve of the Atlanta Olympic Games, such revelations would have dampened the spirit of the event and severely impacted commercial interests. Looming presidential elections and a diplomatic deadlock in the Middle East further dictated that early conclusions by federal sleuths be modulated to resemble nebulous speculation. With mounting evidence all but eliminating mechanical failure as the cause of the crash, and no compelling incentive to divulge the facts, investigators may have opted to withhold their findings as long as possible or, if need be, to shelve the awful truth in the “national interest.”
The ill-fated TWA Boeing 747 was the 153rd aircraft to roll out of the production line in 1971. It had since crisscrossed the globe without serious incident. A tire blew up on takeoff in 1987. An oil leak forced an engine shutdown in 1988. Both flights reached their destinations uneventfully.
Its penultimate voyage was also problem-free. It landed in Athens on Wednesday, July 17 at 11:32 and took off for New York at 13:25. Data gleaned from black boxes revealed no anomalous conditions prior to the conflagration that felled it later that evening. Crew chatter, mostly routine post-take-off protocol, betrayed no anxiety, no sense of foreboding. Only a brief snapping sound was heard just before the fatal silence. It was the same odd “ping” picked up by the flight data recorders of two commercial aircraft destroyed in mid-flight — Pan Am 103, blown up when a Toshiba portable radio crammed with pentrite exploded over Lockerbie, Scotland in 1988, killing 270 people; and a DC-10 operated by France’s now defunct feeder airline, UTA, which disintegrated at 33,000 feet over the African desert a year later, killing 171. The culprit: 300 grams of pentrite hidden in the cargo hold.
According to Tom Thurman, the FBI specialist who had investigated Pan Am 103, TWA 800 in all likelihood was also destroyed by an on-board explosive device — “a few hundred grams of pentrite, C4 or Semtex.” Odorless, easy to handle, these “smart” explosives can be triggered by altimetric or 24-hour timing devices. Thurman suspected that an explosive charge placed on the right side of the forward cargo hold, probably in a suitcase, tore the aircraft at the seam where wings join the fuselage.
While it took a scant four days to determine that UTA’s DC-10 had been felled by a bomb, ten months passed before the luggage in which it was concealed was identified. The telltale evidence was less than an inch in size. It took Thurman two years to determine how the booby-trapped Toshiba radio was placed on board Pan Am 103 — and by whom.
How could an explosive device have been spirited on board TWA 800? Speculations were rife:
- A “kamikaze” passenger might have concealed it in carry-on luggage. This hypothesis was quickly dismissed: the explosion did not occur in the passenger cabin.
- The bomb made its way into the cargo hold in Athens and the timing device set to trigger the explosion as the plane made its way to Paris, not New York. Farfetched.
- It was secreted on board in New York, where security had been characterized as “notoriously lax — if not downright inept.” A Varig Airlines (Brazil) executive likened security at JFK airport to Swiss cheese — “full of holes.”
- Baggage handlers could have conspired. French intelligence had apprehended three known Islamic extremists working at Charles de Gaulle Airport in Paris.
All airplane sabotage cases were solved — from the 1970 explosion of a Swissair Convair in Zurich, to the Boeing 747 that disintegrated over Lockerbie. Extremist states, in these cases Iran and Libya, were implicated. Preliminary investigations into the TWA 800 disaster did not discount sabotage and pointed to the Middle East where the United States was regarded as Public Enemy Number 1 by Islamic radicals.
The usual suspects
A prime and tempting suspect was Ramzi Youssef. Trained in Afghanistan, Youssef was the mastermind behind the plot to destroy US airliners over the Pacific. The plot was foiled.
Captured in Pakistan in 1995, Ramzi was extradited to the United States. Tried and convicted of engineering the 1993 World Trade Center bombing, he is now serving two life sentences. No evidence of complicity in the TWA 800 crash was ever found.
The United States had also been threatened by the Jamaa Islamya, the group responsible for the New York World Trade Center bombing. Now serving a life sentence at the Springfield, Missouri federal penitentiary, its spiritual leader, Sheik Omar Abdul Rahman, the blind cleric who conspired to bomb the UN and flood tunnels connecting New York and New Jersey, had vowed to get even.
Another hot lead — a new and mysterious terrorist cell — is the Islamic Organization for Change. The group is responsible for attacks in Saudi Arabia, the first in Riyadh in 1995 in which five Americans died; the second in Dhahran, in June 1996 in which 19 were killed and hundreds wounded, all GIs. Israeli intelligence claimed the group was run from Afghanistan where Osama bin Laden had been granted asylum. Bin Laden had many friends in Pakistan’s intelligence community. He also had followers from Hamas, the radical Palestinian group that had a score to settle with the United States after it agreed to extradite their chief, Moussa Abu-Marzooq to Israel where he faced a life sentence.
These groups have one common trait. All are ultra-secret and highly fluid organizations with deep worldwide networks that are difficult if not impossible to infiltrate. Pakistan and Saudi Arabia are allies. Syria, Iran, Iraq and Libya had all professed a common hatred of the United States and Israel. Stoked by rekindled Islamic fervor and a collective anti-Western agenda, Algerian, Sudanese and Afghan terrorists had long been training in Iran.
Another suspect with known ties to America’s arch-enemy — Iran — is Hezbollah, the shadowy and homicidal phalanx responsible for multiple suicide bombings in Israel. Hezbollah never forgave the United States for its support of Israel following the Cana massacre in Lebanon in April 1996 in which more than 100 civilians were killed by Israeli artillery. Four years earlier, striking without warning, Hezbollah operatives had pulverized the Israeli Embassy in Buenos Aires, killing 29 civilians and injuring 242.
It is widely known that Iran trains and subsidizes global terrorist networks. A high-ranking French diplomat stationed in Central America told this writer on condition of anonymity: “I believe that terrorists downed TWA 800.” He rejected mechanical failure as the cause of the crash. “‘Catastrophic failure,’ like so-called ‘acts of God,’ is impossible to define, let alone challenge. It’s an obliging rationalization that serves the political needs of the moment. It will have to do for the time being.” The diplomat did not discount the possibility that that France, not the United States, was the prime target of this latest act of banditry.
“Up, up and away”
Enticing as they were, speculations about the “usual suspects” remained just that — theories without empirical evidence. Chasing after very tenuous leads would have been time consuming and involved lengthy, subtle and complex diplomacy. Americans needed answers, preferably unambiguous and categorical ones. So investigators reluctantly set their sights on a culprit less jarring than terrorism — “catastrophic mechanical failure.”
Asking that his identity be withheld, a veteran American Airlines captain told this writer in Miami that the TWA airliner “would have had to be stressed beyond the designed limits of structural endurance to break up in three pieces without the benefit of some colossal intervening dynamic, namely a detonation of some sort. A structural weakness would have been detected during routine maintenance and promptly repaired.” The pilot declined to speculate on the cause of detonation but suggested that mechanical failure “was psychologically and politically the least disturbing of all possible interpretations — but I don’t buy it.”
What remains is the nagging possibility that a missile, friendly or hostile, as several eyewitnesses reported, felled TWA’s Paris-bound jumbo jet. Fearing nationwide panic, then Secretary of State William Perry predictably dismissed the “theory” as “highly improbable.” Suspicions were never allayed and the “theory” has since taken a life of its own. The deliberate spurning by investigators of witnesses who swore seeing a “flare” or “rocket” light up the night sky seconds after TWA flight 800 exploded, split apart and plunged into the waters of Long Island’s south shore, continues to fuel speculations.
A Continental Airlines pilot interviewed by this writer in Houston in 1999 (I was on my way to Honduras at the time) was convinced that “a stray US Navy Cruise missile blew up the TWA [jet].” Characterizing the FBI, the FAA and the NTSB as “co-conspirators in a monumental cover up,” he alleged that “no serious pilot believes mechanical failure played the slightest role in that disaster.” An SAS pilot interviewed in New York a few weeks later concurred and scoffed at the “vapor-and-spark” hypothesis. “It’s more like smoke and mirrors,” he quipped.
We may never know the truth — not for an absence of evidence but in the name of “national security,” a catch-all alibi used by the United States to tell its biggest lies or shield its most errant deeds from public scrutiny. The inventory of deceit, falsifications and outright evasions from truth foisted by the US government on the American people is broad and tangled:
- Unwitting American civilians and low-ranking military personnel used as guinea pigs in nuclear, biological and chemical warfare experiments;
- Unsuspecting African Americans denied treatment after being infected with syphilis;
- Release by the US Medical Corps of micro-organisms in the New York City subway system to “see how rapidly they would spread”;
- The role of CIA-trained death squads in Latin America;
- The rate and ferocity with which radiation spread across the globe following the Chernobyl nuclear disaster;
- The magnitude of the Three Mile Island meltdown;
- The direct effects and long-term consequences of exposure to “Yellow Rain” and “Agent Orange” during the Vietnam War;
- The extent to which deadly fissionable material spread in the Atlantic in 1986 following the sinking of a Soviet sub 600 miles from Bermuda;
- The lies perpetrated to justify the invasion of Iraq, later of Afghanistan;
- The etiology of the Gulf War syndrome; and
- The recent revelations that Americans have been spied upon for years by their government — to name a few.
Is the case of the ill-fated TWA flight 800 destined to join America’s roster of deceptions? “Practical politics consists in ignoring facts,” said American journalist Henry Adams (1838-1918). Some facts, like meddlesome witnesses or vexing evidence are not only being ignored but continue to be buried in haste.
W. E. Gutman is a veteran journalist, now retired. From 1994 to 2006 he was on assignment in Central America where he covered politics, the military, human rights and other socio-economic themes. He lives with his wife in southern California.
On the theatre, uncultured elites and other worlds
Raúl Leis, interviewed by Katie Zien
Editor’s note: Raúl Leis, who died suddenly on April 30 as the result of a reaction to medication that he was given for eye surgery earlier that day, was one of Panama’s most honored playwrights. His formal education, however, was as a sociologist, and his area of expertise crossed many disciplines. Many of his newspaper columns were translated and published in The Panama News
Katie Zien, who did the interview from which this is taken as part of her research for a dissertation in theatre and drama at Northwestern University, has an undergraduate degree from Columbia in English literature and is pursuing a doctoral degree. She has delved deeply into Panamanian history and ethnology in preparing her dissertation.
Read the following as a conversation between two theatre people, both of them superb historians without degrees in history. Most of all, read it as the memories and opinions of one of the towering intellectual giants of Panamanian history.
Getting a start as a writer
The interview, which took place at the offices of the Panamanian Center for Social Studies and Action (CEASPA) in Coco del Mar, began with a discussion of some of the plays that Leis had written, followed by a traditional starting question:
KZ: Why did you decide to start writing plays?
RL: I realized in community work that one fundamental way to help communities and pueblos in Panama was the theatre. I didn’t know anything about theatre, but I said, “We’re going to have a group discussion,” and I said, “Well, when we get into groups, come and stage that which you have been discussing.”
It was a success, and Leis began to work more systematically at theatre, learning more about it — largely from South American sources — and began his part in building the collective Volunteer Theatre of Social Change (Tevocaso, by its Spanish acronym), a project of the National Volunteer Service (SNV).
The Tevocaso movement went nationwide, with popular theatre groups based in local cooperatives and unions in every province of Panama, including Kuna Yala and Bocas del Toro. A lot of the works were puppet shows, in which Leis noticed that a lot of people were more open about what they thought when their identities were hidden behind puppets. Leis took on the movement’s national coordination in 1967, and held this position for two years. But on October 11, 1968, there was a military coup led by Omar Torrijos and Boris Martínez, and changes soon followed.
RL: Torrijos absorbed the Servicio Voluntario and made it obligatory. He took away its democratic character, with many different voices and patronatos, and made it an element of the state. This distorted the sentiment of all that we were doing, because now we were government employees.
Finally, what happened was that they fired everyone — this was the first time that I had worked for the government in my entire life — they kicked out everyone out. Where before I had been a volunteer, now I was promoted to the position of coordinator. I had been doing things at the national level, throughout the country, and it was making such an impact that SNV said, “Instead of having you be a volunteer, we’ll make you a public official; you’ll receive a salary (small, but a salary) to promote this around the country. “
So when the government arrived, it absorbed us, yet many of us didn’t want to work for the government. We had some critics of the government among us, and the government replaced them with its allies. So SNV ended. After a year it could no longer exist, because there was no longer the mystique, the people’s drive.
When this ended, one year after the coup d’etat more or less, I was writing poetry because I was a poet then, but I’d never written theatre or stories or anything else. But one day, I sat down and said, “I’m going to write theatre as an author.” Because my head had been full of all of the theatre that I’d done with the people. It provoked me. In saying “writing,” I don’t mean copying what they had done, but rather making it unique — there are characters who stick in your head, and your work feeds off that which you have seen.
I was an autodidact, although I had read Tennessee Williams and other pan-American theatre — Calderón de la Barca — and this showed me how to structure the play text. So I sat down, and in one single draft, I wrote “Viaje a la salvación y otros paises.” I wrote it, about a man who leaves his town to look for — well, it’s all a summary of these experiences. But the story does not end there.
Someone said to me, “Why not send this play to the Ricardo Miró Competition?” This is the most important contest in the country. I was about 21, 22 years old. And I said, “No, I can’t, that’s too important, this is the first play I’ve ever written, and it’s not going to win, etc., and then a cousin said, “I’ll typewrite it for you, and turn in a clean copy,” so we sent it in.
On sending it in, I left for the country to work on a project, a voluntary community service activity with Fe y Alegria, an education-based project. I was very involved with an indigenous zone, and I was there about four months. When I arrived back in the city, the day that I arrived, I was walking around in San Felipe, and I see a poster stuck to a wall that says, “Today: the National theatre Company presents the winner of the Miró contest.” In this time, it was mandatory that the Compañía Nacional de Teatro, or the Escuela Nacional de Teatro perform the winning play. It said, “We present the play “Viaje a la salvación y otros paises, by this author.” And so I said: “I won!”
They had tried to get in touch with me, but I was in the country, and there were no cell phones, and nobody knew me in Panama City because I was in Colon. So they had saved my check from the competition, but the company had to mount the show, because it was the law. I went to the theatre, trembling with emotion, not knowing anybody, and I paid the entrance fee and sat at the back of the auditorium, the last seat in the theatre, quiet, alone, because I didn’t know anyone. And when the play began, I felt the greatest emotion of my life, which is to see a play that you have written mounted. And it was very well staged to me. So I was so excited and happy, almost yelling from excitement, to see that not only had the play won, but it was being staged, and everything, you know? It had won!
When the play finished, a person who was sitting in front of me, in the first row, the best seats, a professor from the University of Panama, I don’t remember who it is, stands up, and everyone is clapping, and, well, he gets up on his feet and looks over and sees me. And he runs backstage, behind the stage, and says to someone, “The author is here!” and everyone comes out, and the director says, “Here’s the author of the play! Come over here!”
And that’s how it happened. I learned theatre from the people, and that’s why it is popular theatre, and that’s why it’s political. It’s not ideological, it’s not academic; I haven’t lived far away or read a lot of Marx or whatever. Ideologically, it has a lot to do with the experience of the masses. Additionally, I come from a humble family: I grew up in Colon — in the ghetto, right — in a mixed family. My father was Spanish, naturalized Panamanian, and my mother was Colombian, mulata, from the province of San Andres. I am the product of a popular home, and what happened was that for people, it didn’t have anything in it that wasn’t familiar to them. There was nothing strange, nothing like “I live well, but I want to investigate how the people live.” No, it was all very close to home.
Even my family said, why are you becoming a volunteer? You’re poor! The poor helping the poor — you need to figure out how to better yourself! And find work so that you can do well, be better off, and help us! And you’re getting into this work with the people for free!
I’ve written at three in the morning, I’ve written in the middle of a workshop — so for me, it’s so beautiful to see, for example, in European or US films, people who are paid full-time to write. This is marvelous! Imagine, all the time, all day, to just think and write. I’ve always written while running from one thing to another, on napkins — whenever the idea strikes me. I never had the privilege to just write “full-time.”
KZ: I see various influences in your work — Brecht is there, for example….
RL: Oh yes. Of course. To continue — afterward — well, I had stopped studying, or rather, I had quit school when I joined the Servicio Voluntario Nacional. I was firm about the fact that I was not going to study at a university, that I would be an auto-didact (and dedicate myself full-time to voluntary service) — and I was going to study and do what I wanted to — a rare thing in Panama!
But after I left the SVN, thanks to the Catholic Church, and Monsignor McGrath, who was there then. They helped me. I had always wanted to have a career as a sociologist, but in Panama this didn’t exist at the national university, but they did have it at USMA — so a priest friend gave me a grant to maintain myself, so that I didn’t have to pay tuition in the USMA, the Catholic university. So I entered the first degree program in sociology offered at USMA, and I was the first graduated. And in this period, because of the grant for study, I had access to books, and I started reading Brecht.
KZ: Brecht wasn’t actually that successful in terms of his appeal, even though his theory is interesting.
RL: The shows of Brecht weren’t that compelling, it’s true. But I was also nourishing myself with the work of Latin American theatre, like Buenaventura and Boal…. still, Brecht served me well, and I still have a lot of Brechtian influence in terms of the distancing effect, the use of songs, of humor, and moral interaction with the people. And simplified scenery: for example, to symbolize the jungle, I might put a plant — you don’t have to put the whole jungle onstage, or draw the plant.
Working with directors
The discussion moved into theories of popular and political theatre, and the differences between writing plays and staging them.
RL: Fortunately, almost all of the plays have been staged, and most have been published because of prizes and periodicals. They have been produced — some many times, some few. Some have been filmed, others in audio-visuals.
The only thing that I want to say to you:
One, the role of the author with the director when the author is alive — not like Shakespeare, because he wasn’t alive, but when the author can go to the rehearsals: my relationship with directors has always been that of a dialogue, very tolerant. There are authors who won’t let you change one point — fight and say “You must respect what I say.” I respect the staging very much. Normally, when I am called upon to meet with groups, not only with the director but with the actors, I always try to explain to them what the sense of the work is, the character of the work. It doesn’t matter what modifications the staging makes as long as it strengthens the point of view of the play. Okay, if the play is deals with learning about justice for women, and the director’s adaptation takes this out and puts something else in, although it might also be very positive, I would still not accept it because I believe that the play should replicate the intention of the author. But if — actually, this has happened — I was thinking about the character as an older, mature woman, and the director says “No, better a younger woman,” it doesn’t change the sense of the play. I sometimes think, “Yeah, you’re right.”
The second thing is: the quality of the staging. The ideal is the best mise-en-scene with the fewest resources, since theatre groups don’t have much, and there is very little support for theatre. One is always looking for good acting, because if the acting is bad, then the character won’t emerge correctly.
KZ: Did you seek out directors?
RL: Never. I have never organized a production. It’s always that the director gets together a group, like what’s happening now in Mexico, and says, “Oye, we’re going to mount this play.” Oh, thanks! So what do we do? Although I’m not in Mexico, we can communicate through technology like skype, have a virtual exchange, and I can see the rehearsal online. And I’m hoping to get to Mexico in the days before the opening for the last rehearsal.
KZ: Is there a director with whom you’ve worked consistently?
RL: Yes, that’s a good question. There are about three people who have been constant. We have mounted many shows, and there is a lot of affinity. First is — not in this order — Danny Calden. Do you know him? He’s an actor of Afro-Antillean origin. He’s fascinating. When they did Viaje a la salvación he was the one who played the part of Librado Mancilla. That’s where I met him. Then he took other works of mine and mounted them. Including Salvación — he turned it into a monologue, and he took the monologue to six or seven countries in Latin America. For Peru, for Colombia, he just made this monologue, a synthesis of the play. And he did it very well. He has also had a lot of international performances. He’s been invited to perform in the Caribbean, in the United States, and he gives classes in popular theatre, as he specializes in this. He is very important here. And he’s like forgotten here.
The conversation shifts to Panamanian theatre today, as an emerging or growing force.
RL: the thing is that the theatre that’s emerging in Panama doesn’t recognize people like Danny Calden, marginalizes people who make non-commercial theatre, who are not elites, who don’t have access to the venues. So when they talk about theatre, they never mention those people. They talk about what’s happening in La Quadra, about Bruce Quinn, but from this marginal side, nothing. And Danny is from that part.
A second person, who is also, curiously enough, Afro-Antillean, is named Anselmo Cooper. Anselmo Cooper is from Colon, and in Colon there’s a unique experience, something that has been maintained for 20 years, called Teatro de la Ciudad. In Colon! El guetto, no?
In the back of the Iglesia San José, on Calle 10 in Colon, there’s a place that the church has lent. Anselmo, with great effort, has made a little theatre there, with chairs, a stage, and everything, for about 100 people, and called it the Teatro de la Ciudad. Apart from this, they’ve offered popular theatre in the barrios. When I say “them,” it’s Anselmo Cooper and Dagoberto Chung. This pair is like the comic duo — the fat one and the skinny one — they’re always together. One is black, and the other Chinese. They’ve worked together for their entire lives. They’re going to stage El Puente for the third time. They also did La Cantina de Pancha Manchá. In their second production of El Puente, the people who acted were prisoners, people from jails. I got permission, and they acted it, and the police were there, making sure that the prisoners didn’t escape.
Danny Calden, Anselmo Cooper, and the third is Norman Douglas. Norman has mounted two plays, and there are two that I made for Norman. It’s one thing to write a play, and the director stages it, but quite another for the director to ask for a play. This was No hay derecho, señor, which speaks of the looting after the invasion. Because the Colegio de Abogados de Panamá wanted to have a fundraiser, but they wanted something with a social message, and didn’t want to sell a film. So they asked for a play. Since it was for lawyers, we put on No hay derecho. It’s — the expression: “No hay derecho!” — as in, “You have no right!” Or, regarding the career, “The law doesn’t exist.” And as such, it’s a provocation for the lawyers. This is one of the few times that a play was commissioned, that they gave me a check to write a play. Que bueno! Normally this doesn’t happen.
I also did an adaptation of the novel María Picana by Jorge Isaacs, also Colombian, for the high schools. The National theatre Company mounted it for students and that was another experience with Douglas.
So those are three people in Panama. And in Colombia, there’s one named José Ignacio Correa, who also mounted Viaje a la salvación there, and who then mounted another play of mine, and he’s the one director from outside the country who has mounted the most plays. But I lost contact with him and can’t find him.
KZ: Maestra Vida — Bruce Quinn made another version….
RL: Yes, he did another version. Completely different. For Bruce Quinn, it was AIDS. For me, it was the invasion. In my version, no one dies of AIDS. They die from bullets, bombs, etc.
KZ: Did Rubén Blades act in your version?
RL: No. Blades didn’t act in either one. There was also a young man whose name I can’t recall who sang the part in my version that Luis Arteaga did in Bruce Quinn’s, who still sings. If you interview Norman and ask him about Maestra Vida, he might have filmed footage of it, because I think that we filmed it in that period, but I don’t have it. He does, he has the photographs. I believe that it was the first play to speak about the invasion after the invasion. It broke the silence.
The 1989 invasion
KZ: It would be interesting to compare it to Lagartija’s play about the invasion. Because in my opinion, theirs was very colored by the history of Argentina, really, and the dictatorship. It had a very Argentine sense.
RL: Exactly. Do you know that I wrote in a newspaper column about the play? I loved the acting, I loved the production, but the content of the invasion was diluted. When I saw it, I didn’t see the invasion. I saw another story — a very good one — but not the invasion. It was very psychoanalytic and less political.
I was going to work with them before. When Charo and Arístides came, I had a working group with them, because they said to me, “Tell us about the invasion!” so I told them all about the interesting history. Then they asked me to write a blurb for the program. But I hadn’t seen the play when I did that. So I said to them, “Well, I haven’t seen the play, but if it’s about the invasion, then I’ll do it.” But if I had seen the play before I’d written the blurb, I’d have written something different. Because I feel like the part about the invasion was diluted. It was second priority for them.
KZ: It was also impressive for me to see a panel discussion about the invasion and to hear what you said about the difference between 1964 and 1989 is interesting to me. At one point, there was something very clear and unified, but in the other there was divided opinion….
RL: It was a political crisis in the country. And it still hasn’t been resolved.
KZ: The United States was transferring the canal to the Panamanians but simultaneously had this relationship with Noriega. How did that work?
RL: They created a monster, right, in a certain form. Or if they didn’t create it, they fed it at least. The monster was already there, but it’s important to describe what happened with a lot of clarity.
Noriega is in the Prison de la Santée in Paris. And if they had had information about what he did, he wouldn’t have been given the Legion of Honor. He’s decorated by the government of France, because he lent a service to France. And do you know what service he gave to France? France never really said, but he had a lot of contact with various groups, because he was taking money for himself, not only the cocaine flights, but groups from above, from the right, from the left, from everywhere. It appears that he had contact with a group of Arabs. And in Paris there was a group that attempted to bomb the Metro many years ago. And apparently, he intervened, or his friends did, and succeeded so that there was no bombing, or the police captured the attempted bombers — I don’t remember which. France considered this a merit, because he saved the lives of many people, and they decorated him with the Legion of Honor. Now he’s a prisoner there. How can one understand that?
The discussion moves to a scene in Viaje a la salvación about when Librado Mancilla goes to the Canal Zone and meets Bob Klan, who asks “Why are you here?” to which Mancilla responds, “To buy arms.” Bob Klan says, “Oh, good! We’ll sell you arms.”
KZ: The United States always gives arms to the people who later use them against the United States….
RL: Sí, sí! [laughing] Saddam Hussein! Al-Qaeda, everyone! It happened here too!
This corresponds very much to the national security practice of the United States for a long time, which was not about supporting democracy but rather about supporting those who were anti-communist or against its enemies, or those who it thought were its enemies. “The enemy of my enemy.” Converting the enemy of your enemies into an ally.
The politics of the Miró Prize
The discussion turned to Miró Prize, and how it often went to works with anti-US themes.
RL: Well, this makes sense for several reasons. First, the world of culture tends to be more progressive. Because there’s always an anti-establishment attitude among the people who make art and literature. Even though Panama is very right-leaning, there are always very large exceptions among cultural workers, because they’re educated, and they read, and they’re more informed. In Panama, the cultural sphere is more closely linked to the political progressives — not the left, but to a vision that is more progressive. So there has never been a dogma or filter for the Miró Prize] — it all depends on the jurors.
People think that I’ve always won the contest, but I’ve actually lost many of the contests. Especially with young authors — it’s a lottery and has much to do with luck. For example, if you have a very good play in the style of Brecht, and two of the jurors don’t like Brecht, because they’re romantic, then you’ve lost the possibility of winning.
Panama’s uncultured ruling classes
KZ: When I think about the elites of Panama, I think of the rabiblancos.
RL: Ah, no. Sorry, but I need to say something. The rabiblancos and the elite of Panama are not a cultural elite. In terms of culture, it’s an ignorant elite. They know about business, for that this country is excellent, but if you look at the political class, look at Martinelli, and even Balbina, who comes from the people, and compare them with candidates from Chile or Ecuador or Mexico — for example, Cuauhtémoc Cárdenas of Mexico, or Felipe Calderón — you’ll see that the latter have a cultural apparatus, and can engage culturally up to a certain point. Here, it’s a commercial elite, and with exceptions, they don’t have much interest in that subject. And when they do have an anniversary, they make a spectacle. For example, they support the National Ballet because it has cachet. Or to support the National theatre, the same. But to support the leftist literary underground or dissidents, this has no meaning for them. To compare this to Colombia: it’s another tendency. There you have businessmen with a basic cultural background and a certain respect for the author.
I have a good Colombian friend named David Sánchez Juliao, a writer, who invited me to Bogota, to theatres and everything. And every show that we went to we got in for free, and it wasn’t because we were guests, but the person at the box office would say, “Maestro, maestro” and would say, “Pase, pase, maestro,” and he’s not Garcia Marquez or anything. But here, Rogelio Sinán could arrive, and not to many people would recognize him — there’s no admiration for that sort of thing. In contrast, if an empresario with a lot of money comes in, Martinelli or someone, they open the door because he has money. But the writers here are those who don’t have money.
KZ: is there still a place for political theatre in Panama?
RL: Yes. I think that now, what’s happening with theatre’s resurgence, there could be a window for political theatre. Soon there could be that kind of space again. Because during the time that I made my plays, there was more accessibility, and that’s why I was able to produce them. But it was this way — why? Because the theme of the canal was a national cause. So when I was going to prepare a play, noteworthy people would say, “let’s do it, because although it won’t generate a profit, it will be a way for the youth to educate themselves, because this is the cause of the country.” When the canal was given over to Panama, they lost the banner. So there was nothing to unite all of the Panamanians anymore. It should be something like poverty, but no, we have not been able to form a political banner to unite the Panamanians. And the country in a certain way de-ideologized, declined. And for the new generations — the audiences — I’m sure that they are not compelled to political theatre in the way that they were before.
This includes art work that’s not theatre. Rogelio Sinán, who is our greatest author, his best work is called La Isla Mágica. There has not been a reissue of La Isla Mágica. It’s very hard to get ahold of a copy. And he was the best author that we had. Why? Because they didn’t recommend it in the schools, because the professors were worried about the sexual content, they thought it was immoral, etc.
The discussion turned to theatre for students the work that Miguel Moreno has done with the Teatro Estudiantil Panameño in the high schools.
RL: There was a festival of national authors two years ago, and they mounted three or four of my plays in two years running, and the group that staged the play won the prize. This was interesting. Why? Because it was an initiative at the high school level that didn’t use commercial theatre, didn’t put on Aladdin for the kids, but rather sought out works by national authors that were political plays. But in this moment in theatre, you see what’s happening. There’s no support for national authors, and if there is support for national authors, it’s work that is not political.
Colon, the Canal Zone and English
KZ: Living in Colon, did you have any interaction with the old Zone? Because Colon was surrounded by the Zone. There was a theatre scene in the Zone, there was a lot of US theatre, so did you have experience with that theatre?]
RL: No, nothing. Why? Because the Zone was another world. For us, it was another world. Despite the fact that we were surrounded — Colon was an enclave, surrounded by the Zone, with only the Colon Corridor by which one could connect with the city — contact with the Zone was of two types. First, an incursion: it was a site for us to go because we had nowhere else to go. It was going to Mount Hope, to the cemetery, to look for mangoes. It was going to Gatun Lake to bathe, like going into a foreign territory, where there was no poverty, where everyone lived well, where there wasn’t prostitution, where there wasn’t anything — a paradise where we went to explore. And there were bad points too — because sometimes they would arrest us for stealing a mango, the police asking us what we were doing there — it was an unknown territory. So there was no contact with the cultural and social life of the Zonians or the military bases.
KZ: I notice that there were some elites who had contact with the Zonians, like Bruce Quinn.
RL: Right, but as you say, they were elites. I’m talking about a poor family from Colon. The middle-class and upper-middle class people of Colon, yes, they even dated in the Canal Zone. Many Zonians married Panamanians because there was social contact, right? They visited the fiestas, they were friends, but this was only the middle- and upper-middle class.
For the popular classes it was very difficult, and although we were never prohibited from entering their theatres — you could go to the Theatre Guild and pay the ticket price and enter — for us it was the same feeling as if you took a campesino from the Panamanian Interior and brought him to the Teatro Nacional. You take them, and the people stay in the doorway, they don’t want to go in. You say, “Come on, pay the ticket and get in!” and they say, “No, this isn’t something for me. I’m out of place here. I feel like my clothes look the ugliest of all.” It’s another world. There’s something psychological that does not let them enter and have contact with the cultural parts of the world.
I, like many people, get lost in the Canal Zone. Every time I go to the Reverted Areas, which passes the locks, or Clayton, or things like that, I’m lost, I can’t find my way. Psychologically, I still haven’t incorporated it. Another problem that was generated by this relationship for my generation is the resistance to learning English. I have taken many courses in English and have spent hours studying English, and it’s still very difficult for me to speak English. It’s depressing to be in the United States or Europe, where nobody speaks Spanish, and suddenly the English appears from my subconscious! I start speaking, and I’m like “Oh, wow!”
KZ: I see English mixed into the Spanish in Panama, especially on the part of Afro-Antilleans.
RL: Yes, for the afroantillanos it’s different. English is part of their culture.
KZ: The politics of English/Spanish are very interesting here. And when did you arrive on the Pacific side?
RL: In Panama City? Well, now it’s very easy to segue from the story that I was telling you before. After I had the experience that I explained to you when we began…when the government absorbed the Servicio Voluntario, in that moment I had to come to Panama City to supervise the theatre activities. I had to be in Panama to do that, because central headquarters was here. So I moved to Panama, and then they kicked me out of Servicio Voluntario, so I worked in an NGO, they gave me a grant for the USMA, and I wanted to return to Colon because I loved Colon, but I had to study and work in Panama. So I’ve been here for 21 or 22 years. But I’ve never lost contact with Colon. Because my family is still there, I travel there when I can, and I work for an NGO that is involved in work in Colon, not only with Colon but the Costa Arriba and the Costa Abajo. I still maintain my ties to Colon. And I believe that Colon is very present in my plays, in a very direct way. That’s why we say, “one never passes through Colon with impunity.
This means that, well, one is born in a certain city, and it doesn’t mark you, it just doesn’t have an effect on you. Other times you might be born in a city that marks you, for good or for ill. Colon is one such city. What I lived in Colon, not only the situation of poverty, marginality, the ghetto, but also the good: a happy, easy-going, festive city, where macondo things happen — that is to say, unheard-of or unusual things — and for me, it’s always present in so many aspects of my life. The weight of Colon — especially the city — has been fundamental for me.
The Day of the Martyrs and the 1966 uprising
KZ: And were you in Colon during 1964?
RL: Oh yes. Oh, you are asking the most excellent questions, exactly about subjects that I want to talk about! Okay, so here is something very interesting, and I thank you for asking me about it. I lived through 1964, and I lived through 1966. Do you know what happened in 1966?
RL: Well, I’ll explain. 1964 was the sovereignty event. In 1964, I was a student at Colegio Abel Bravo, a public high school, and I was studying for a test on religion, because the tests were in January, not December, like now. And in the moment that I was studying for the test, I heard on the radio what was happening in Panama, and I see that Colon has ignited.
The people of Colon heard what happened in Panama, and everyone went to the Zone. At that moment my mother said to me, “Wait, but you have a test tomorrow, and you need to study! I don’t like religion much either, but….” and I said to her, “No! who cares about religion, I’m going out with the people!”
And I went out went out with the people and got involved. I was there for all of the protests, I was injured in my eye from a tear gas bomb that was thrown into my face. I couldn’t see, and that’s why I still wear glasses to correct the problem.
But what was the overall lesson? An army, in this case the US army, attacked us. And the police of Panama, the army of Panama, they didn’t do anything. They did nothing. They locked themselves up in their barracks, and they did not defend the population. The army is attacking the people, the country, and they don’t do anything.
1966, two years later, and I was in my last year of high school. One of the leaders, a student leader, who had been injured in the events of 1964, was sent to have surgery for his head wound in Russia, because his brother was a member of the communist party — not him, but his brother. And through his contacts, he got ahold of someone who could remove a bullet from his brother’s head or something like that, because in Panama you couldn’t have this operation because it was too delicate. So this boy, whose name is Juan Navas, returns, and the day after he returns, he disappears, a boy of 16 years. And he appears the next day on the Corredor, the highway that connected Colon with Panama, dead, with a beating to the head.
What does the police force do? They blame his brother, they say that it’s something communist, that there was infighting, and another person who they jail is Rolando Sterling. So they blame them.
What do we students do? We stage a demonstration each day, requesting peacefully that the situation be clarified because we know for certain that the communists did not do this, that it wasn’t his brother, because in such a small city everyone knows everyone else, and there was no reason for the brother to do this. So the police attack us, the Guardia Nacional, with the same and worse force and hatred that the US army had shown. And there are martyrs. Among them, the valedictorian of the high school, of Abel Bravo, Carlos Matthews.
So I lived through the Panamanian army, who attacked us, but the US army did nothing. Why? Because the US army didn’t have to do anything. But when the people saw that we were attacked by the Guardia Nacional — and ferociously — the US army only attacked on the border — Avenida A — but didn’t go further than the border. But the Panamanian army attacked inside Colon. It was horrible — a huge repression. And the people rose up, not just the students but the whole town — they raised a riot in which the people burned the governor’s office, the mayor’s office, the public offices, the statues of founding fathers.
It was a revolution. The city had never seen anything like this — the city, the countryside, everything. And when the police started to retaliate even harder than before, even worse than the invasion, many people said, “Why aren’t the gringos doing anything? They’re killing us! because after all, they are democratic, right? And the police are killing people who have worked in the Zone!”
But the US army did nothing. It shouldn’t have done anything, but it also did nothing to help. What did I learn? To be anti-militarist and anti-fighting, two things that I was taught for my entire life. I was wounded by the US army and the Panamanian army, so I would never fight on the side of either. And therefore it gave me tremendous satisfaction, it really made me smile more than anything else, to see the military bases of the US disappear from the Canal Zone and the Panamanian army disappear. In 1999 the gringo bases left, and after the invasion, not only did the gringos annihilate the Panamanian military, but also, Panama decided constitutionally that it would not have a standing army. These two forces that attacked, I saw them leave or disappear. I know that not everyone in the world has that privilege.
KZ: Yes, and not everyone has that privilege because many people requested the invasion.
RL: Yes, as I said the other day. Not many people, the majority — the majority of the people were in favor of the invasion.
KZ: And it’s horrible because what resulted was a disaster.
RL: A tremendous trauma. But what I want to say to you is that this taught me better than a book could, living through those events. I was very young — 15 or 16 years old for the first one, then 18 for the second. In the second, I was a student political leader, at Colegio Abel Bravo, which was a very political high school, like the Instituto Nacional. In the first, I was just a young kid. So I was much more persecuted in 1966 than in 1964. They were hunting down the leaders. I had to flee from Colon at night to the Canal Zone, to Cristobal, sleep with a friend under a tree, catch the train, and go to Panama. And because the train was under the US jurisdiction, the Panamanian police couldn’t arrest me on it. I arrived in Panama and contacted a Panamanian friend who lived in Balboa, slept there for a few days, and when everything had calmed down, and we knew that they had stopped looking for us, we returned to Colon. So, thanks to the train, we were able to escape from the police persecution. That which was repression which we hadn’t asked for, right?
And you should note this about what happened to Juan Navas — eventually it was learned that the secret police had killed him.
Cold War politics
KZ: Do you think that the United States had ordered this?
RL: Evidently not. Remember that with the Cold War, with Cuba and all that, where all the information was coming from, there was a close and direct network of information and consultation between the security forces of the United States and Panama. But the people who did the act, in the end it appears that they didn’t want to kill him. They wanted to torture him, but they didn’t take into account the fact that he had had surgery recently, so they hit him in the place where he’d had the operation. But ultimately they didn’t want to kill him because that didn’t make sense. They wanted to get information out of him, but then they realized that he was dead and said, “Uyy, what do we do?” What a horrible mess.
KZ: Wow. Because it also resonates with 1959, and the relations with the Cubans.
RL: Right, the Cuban revolution, the landing at Nombre de Dios.
KZ: There were exchanges between communists in Cuba and Panama.
RL: Of course, always, because the Soviet-line communist party. There were different communist groups, there were the Maoists and the pro-Soviet groups arguing with each other — this was logical. And many people got grants to study in the Soviet Union, and went to the congresses, and there were resources from Moscow for building unions and groups along the Soviet line.
The end of the Canal Zone
KZ: When the lands in the Canal Zone began to be reverted to Panama, what was your experience with the actual land? Did you enjoy walking through them, experiencing new territories, etc.?
RL: Oh, it was brutal.
KZ: The symbols are very strong — and part of my thesis is about the experience of the spaces.
RL: Excellent theme. Look, I lived through the reversion here in Panama, not Colon, because I’d had many years living here and was only going to Colon sporadically, so I experienced it more intensely. But the first thing that I want to say: the big moment when we were in front of the Administration Building, it was the 31st of December at noon, and there was then-President Mireya Moscoso up there, and the police were around so that the people didn’t come up the stairs, and we said, “let’s go up there!” and the police had to open up for us. And we flooded the hill of the Administration Building. This was like Moses and Mount Sinai, and we were looking at the invited guests, because there were many there — ambassadors and dignitaries — and they were looking at us with fear because we were a ton of people waving flags and coming toward them. They were thinking that we were going to do something to them. But what the people wanted to do was to stop there, to walk around and step on the land. It was a gesture of happiness. Nobody was hurt, completely to the contrary. With songs, with hymns, and so on.
Then came the process of appropriation of spaces that, as I’ve told you, psychologically is still not entirely clear to us. But little by little, when one realizes that Panama City swelled by a third, I’m going to explain it this way: the North Americans who lived in the Reverted Areas, be they civilian or military, what one begins to realize over time is that the way that they lived — their lifestyles, and their practice of living with nature — was very positive. You just need to accept that — they were very clean and ecological in their houses.
But on the contrary in their work. What do I mean by that? The areas contaminated with explosives, and San Jose Island.
They respected the environment very much, and they generated a different style of architecture, which had positive results. We learned many intercultural things, which are positive. But at the same time, many things were inverted. For example, the act of exploiting the land militarily but not in terms of civilian uses. Over all, with the firing ranges. This was always a source of ambivalence with the Zonians.
Something about the reversion killed the hatred. When we were in Colon, and we faced the question of sovereignty, the contrast was very clear with the colonial presence of the United States. But for others living in Colon, the US area was paradise, because it was a place where work paid more than in Panama, where there was no violence or danger in the street, because it was well cared-for, where there was no poverty, where there were places like the commissaries where it was possible to find products of the highest quality, from the first world, at very low prices, whether through contraband or whatever. And we always felt this ambivalence. I remember fighting the anti-imperialist fight in high school and then drinking US beer like Miller, because it was a delicious beer that was contraband from the commissaries and sold on the streets. The ice cream and sweets of the Zone — people would try to get these for their birthdays.
So there was this situation. But something very interesting: never in this process, never, never did the people who were fighting against the Zone consider someone from there personally. Never. So it wasn’t personal hatred or hatred of the people. It was hatred for the system. No one would have raped or lynched someone for these reasons.
The delinquency is another thing, of course. Delinquency is delinquency — crime for the purpose of theft is another thing. But always, despite the fact of having very profound differences, if there was an English-speaking US or Puerto Rican soldier, he’d be walking around and nothing political would happen. Even on the ninth of January, when there was an attack at the consulate and people went to the consulate to protest, I remember that the people who were at the consulate in Colon had to pass through the city to get to the Canal Zone, in cars with their families, and even though people were fighting with the army, nobody touched the civilians. No one threw a rock or lit the civilians’ cars on fire.
KZ: I’m trying to understand the ways that people understood imperialism] — there are many things working together to influence people’s positions on imperialism.
RL: Wes, this is true. We can talk about a relationship of many different senses, not only one sense. There were many senses, and in some people different senses predominated. In this situation, it was the political, because we were the product of a situation. But then there are people from the upper classes, or people who celebrate Thanksgiving.
The West Indians and the colonial blacks
KZ: The Afro-Antilleans have a very different perspective.
RL: They gained a status that was very good for them in comparison to their situation in their countries of origin. You’re right there that the perception that you might have seen, but in the case of the blacks, you have both the West Indians and the colonial blacks, right? Because there is a reason that the gringos hired the afroantillanos and not the afrocoloniales. There are various reasons. But for me there are two.
First, the work part: the West Indians who came from English colonies had training and preparation — there were cane plantations and such, and there were apprenticeships as carpenters, lathe operators and mechanics, By contrast, the colonial blacks were from the coasts, where there was no industry. It was agricultural. The gringos didn’t want to hire peasants in the Zone. They wanted urban types who could hammer a nail, turn a screw.
The second reason is cultural. The Afro-Antilleans could speak English, right? Because they had been through English oppression and so they were more “yes, man.” They were more easygoing, as you can see — they say, “yessir, sí, señor.” They also have the same church as the gringos, Protestant or similar.
The Afro-Colonial always continues to be a cimarron, a rebel. Always. So it’s easier to work with the afroantillano than the afrocolonial. The afroantillano goes to the meeting, listens more calmly, has more information, is more up-to-date with what’s going on. The colonial black is still a rebel. This is why the negro colonial has the congo. It’s a rebellious figure — the congo sometimes speaks another language, so that you don’t know what he’s saying. And the colonial is more undisciplined. When the gringo foreman says, “hey you, son of a bitch!” the colonial might hit him. Or he would yell out, or he’d leave. The antillano would say “sí señor.” He might not agree, but he would submit, because he’s from a more domesticated culture. Because he knew that if the foreigners kicked him off the Zone, he’d have to return to his island. And the Panamanian, well, they’d kick him off and he’d return to Panama.
This is why, when they selected Lucy Molinar to be the minister of education, I said at first (and now I might take it back) but I said initially, “Wow. This government has done a lot of things that I’m against, but here they’ve done something great by accepting a woman, black, and of afrocolonial origin, who is not from Martinelli’s party, who doesn’t need the money because her husband keeps her pretty well — he’s French — and who has been placed in a role that gives her a certain degree of autonomy, over and against those who are rabiblancos, who do business with the president, who are of his party. That’s why I was initially pleased by the appointment. Also, she did some interesting things at the beginning, so I thought, “well, for her cultural background, she is still at heart an afrocolonial. She is still a cimarron.} Because you can never take away from a cimarron the essence of being cimarron.
The conversation got into the Afro-Antillean newspapers, and the publisher and community leader of the 40s, 50s and 60s, George Westerman and his journey through Panamanian history.
RL: Yes, he’s very interesting. It’s that there was an elite within their group, which was lighter-skinned. Also, this theme of the Left, it was present in almost all of the groups who arrived — in the anarchist Spanish, in the Italians, among whom were also anarchists. There were groups who came from Europe and other situations. But I’m talking in general.
KZ: There was a moment in which Paul Robeson came to Panama in 1947, and Westerman rejected him, because he was more moderate than Robeson.
RL: so Westerman was more of the center.
KZ: Westerman moved to the center. Or to the right, rather.
RL: To the right, huh — after the war?
KZ: Yes, in the war period.
RL: During the war, or afterward?
KZ: During, because there was a conflict between the labor unions in Panama.
RL: Panama, during this time, and the tenants’ strike of 1925, included leftists of all stripes, from social democrats to the radical left. And for this reason they never dealt with the Canal Zone unions. It was a different era.
KZ: But the zone permitted the formation of a union….
RL: …but not one affiliated with Panamanian unions. Affiliated with the AFL-CIO.
The conversation got into the history of segregation in the Canal Zone and social stratification by class in Panama, as that affected the black population in particular.
RL: The Afro-Antilleans had to adopt a certain type of camouflage because they needed to survive, they were in a foreign country, the need to survive was greater. On the contrary, the coloniales would say “Go to hell!” and return to the coast to survive on coconuts and fish.
Moreover, Leis argued, similar processes affected other groups.
RL: The same thing happened to the Kuna Indians, when they started to work in the Canal Zone — in all of the restaurants — they created this sector of Kunas who spoke English and Spanish.
KZ: Formerly I thought that the whole country was interested in the affairs of the canal, but now I know that’s not true. Some purposefully didn’t care about the canal because they were rejected by it.
RL: Unconscious vengeance, by not concerning themselves with the canal because the canal was not concerned with them — they weren’t hired.
When Torrijos said: “The canal should have the most collective use possible” — that was the message of Torrijos — what happened? There are two interpretations of this statement.
One is to say, the school that was in the Canal Zone, now I can go to that school. The housing will be shared among us. We’ll have direct access to the golf course, so I can go and play golf. This is the direct participation and use of the CZ grounds by the people.
But for the sectors of the bourgeoisie, the sectors of government, etc, the most collective use was interpreted thusly: I will sell the land to the person who will pay me the most, I will permit hotels where the people can’t enter because they don’t have the money, and with the money that I earn from the land, I will invest in education and public health, because this is the most collective use of the land.
There are two different visions. In the second, the sense that people have is: but no, I won’t see the benefits of that! These benefits of health and education are not reaching me. I want to see myself in a house there (in the CZ). That’s a whole different issue. And for this reason I think that the administration of Martín Torrijos began with the policy of PRODEC.
What is the premise of PRODEC? In your town, the aqueduct that was built was done with funds from the canal. Not “this aqueduct was built by the government.” Yes, it was. But the sign says “This aqueduct was built with funds of the canal” — and that’s the best collective use of the canal.
The interview ends by a return to the theatre, with Leis extending an invitation to see the rehearsals for a play of his that, it turned out, would premiere on May 12, 2010 at the ACP’s Auditorio Ascanio Arosemena. It’s Curado de espantos, a Panamanian expression that means that when something no longer scares you, that you’re “cured of your fear” (or cured by fear).
RL: Now the ghost does not scare you anymore. This play was commissioned by an NGO — Instituto Panameño de Estudios Laborales (IPEL), under the auspices of the Ministry of Labor. They have a contest for workers with painting, art, poetry — a very interesting program. So they asked for a play about child labor. So I wrote a play, a didactic play. It is a warning about child labor — it’s a ghost story about three professionals in Panama, who are guides to Panama’s historic, touristy areas. They don’t realize that the child labor is happening in all of those places. The people make this child labor invisible — psychologically they don’t see it.
That’s a hook for the play, but the play makes the problem visible. The conclusion is a Boalian forum theatre with information for the audience. It’s acted by workers from various unions who collaborate with the IPEL.
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From the archives:
US military activity in Panama (2010):
Drones, bases and the Tropical Test Center
Antiwar activist John Lindsay-Poland tracks down US military activity in Panama via ads and budget reports
by Eric Jackson
Venezuelan President Hugo Chávez
The Colombian Supreme Court struck down the agreement that would have allowed US military operations out of bases in Colombia, but the US military and US “civilian contractors” — the favored euphemism for mercenaries these days — have been busily setting up “aeronaval bases” here, according to the Martinelli administration only for the use of Panamanian forces, mainly to fight drug trafficking.But John Lindsay-Poland, program director for the US-based pacifist group Fellowship of Reconciliation and most probably the top non-governmental expert on US military activity in Panama, has been digging into US government budget reports and the advertisements of US mercenary corporations to get closer to the truth of the matter. Part of the problem with mercenaries, however, is that by the terms of their contracts with the US government and the “private company” status that is used as a shield against the Freedom of Information Act and scrutiny by the US Congress, the things that mercenaries do are well hidden from the American people and the citizens of the countries in which US mercenary corporations operate. Moreover, in these days of globalization jobs that used to be performed by US soldiers, including combat, are now often outsourced to companies that are not even based in the United States. What Lindsay-Poland is doing, then, is piercing the corporate veil of privatized warfare, at least to the extent that he can.
Hugo Chávez has a reputation for making erratic and exaggerated statements, but so does Ricardo Martinelli, who boasted in the Italian press that he’s the “anti-Chávez” and has done much to distinguish himself as something of a right-wing mirror image of the impulsive Venezuelan leader. So who’s telling the truth about those bases in Panama, and are Venezuelan tales of drones over their territory necessarily a case of paranoiac ideation in high places?
And what about the suggestions, coming mainly out of Colombia and making their rounds in the Latin American left, that the string of setbacks suffered by the FARC guerrillas are not and could not have been as the government in Bogota describes them? Among the suggestions are that US surveillance or attack drones have played major unacknowledged roles in some of the high-profile assaults on FARC.
The drone question becomes relevant because among the many US Department of Defense contracts that were peformed, are underway or are to be carried out in Panama that are listed on the Excel spreadsheet obtained by Lindsay-Poland, highlighted in red on lines 359 and 585, are US Navy contracts with Stark Aerospace Inc., including for “mission support” and “persistent support.”
Who is Stark Aerospace? They are a US subsidiary of Israel Aerospace Industries, and the makers of UAVs — Unmanned Aerial Vehicles, or drones — including the Hunter, a short-range (about 144 nautical miles) surveillance and attack vehicle that the United States has used in Iraq, Afghanistan and Pakistan. Among the parent company’s other military drones is the Eitan, which has a range of more than 4,600 miles. Whether or not the reports or rumors are accurate, then, it does seem that the United States has drones based in Panama that are capable of hitting FARC camps in Colombia, and may well have UAVs capable of patrolling the skies over Venezuela from here. The drones that the US Navy and Stark Aerospace have deployed or will deploy to Panama — the contracts about which we know were only recently signed, in September of 2010 — might also be used to patrol Panamanian territorial waters for law enforcement purposes.
We can be reasonably sure, from US Southern Command practices over the years, from the probable technological limitations of Panama’s police forces, from traditional US reticence about sharing advanced military technologies and from the Obama administration’s known suspicions that the Martinelli inner circle is infiltrated by the drug cartels, that no Panamanian hands will be at the controls of any drones that the United States deploys in Panama. The question is whether the Panamanian government will have any say whatsoever about, or even any knowledge of, the purposes to which the drones are used.
The Tropical Test Center, again
If the United States military is going to play the role of imperial cop, it needs to know how its boots, rifles, boxes of ammunition, herbicides and other products will stand up to the jungle elements. For decades in the old Canal Zone the US Army ran the old Tropical Test Center for this purpose. Mostly it was non-controversial, but they probably did test Agent Orange here during the Vietnam era and later they tested depleted uranium shells and had to fire a few rounds, inevitably leaving behind a bit of toxic metal dust.
The Tropic Test Center was supposed to go along with the rest of the US military presence at the end of 1999, pursuant to the 1977 Panama Canal Treaties. But it seems that this never happened, that the facility moved from its previous locations in Panama to other places on the isthmus and was devolved from the US Army to mercenary contractors. Lindsay-Poland has traced the continued operation of the Tropic Test Center back to at least 2006, via the Houston-based Kvaerner Process Services back then and currently under the aegis of Las Vegas-based Trax International. Trax has historically done defense work at the Yuma Proving Grounds in Arizona.
Trax, whose CEO Craig Wilson is a major Republican contributor, describes its work and capabilities in Panama as follows:
Our experienced test personnel conduct tests in the humid tropic environment of Panama. Available test areas are within lush vegetation in the central portion of the Isthmus, and along the northern coast of Panama. All test sites are within close range of Panama City.
Existing capabilities include:
* A standard 700-m range
* A 3-km rugged jungle course
* Areas for prolonged tropic exposure tests in the open and under jungle canopy
* Engineering, information technology and logistics support services on site
* Coastal sites for various levels of salt spray exposure
Humanitarian missions, plus…
The US Armed Forces from time to time send medical and construction missions down to Panama and several of the other countries in the region. They rapidly set up temporary bases of operation with all of the facilities needed to support members of the work teams, then head out to provide medical, dental and veterinary services to people in remote areas who usually don’t get these, and to build or improve schools, health care facilities, bridges and other civilian infrastructures. It’s a good way to make friends for the United States.
On the construction end of it, it’s an opportunity for military engineering units to get some practice that, due to business and labor pressures, is not allowed in the United States. On the health care end, it’s an opportunity for guard and reserve doctors and nurses to see tropical diseases that they won’t encounter in the USA.
And what else does a US Army Corps of Engineers publication that Lindsay-Poland uncovered say to describe its humanitarian missions? Something bound to annoy nationalists in the countries where it goes:
Every Soldier a Sensor
- USACE DA Civilians/Soldiers can collect information and/or provide intelligence
- Provide entry point into country
A return to the firing ranges controversy?
One of the sore points about how the Panama Canal Treaty was implemented was about the several firing ranges that the United States had used over the years here. Some were outside of the old Canal Zone and thus not covered by the treaty, but some were not only in the old Canal Zone, but adjacent to communities whose residents sometimes came onto the ranges to hunt, gather jungle fruits or look for metal object to sell to recyclers. Unexploded ordnance on those ranges was and is dangerous, and over the years more than two dozen people have been killed by old munitions encountered on those places. Yes, there are signs warning people to keep out, but to a boy who has little concept of death, or to a man who lacks a job but has a family to feed, the temptations to ignore the signs and run the risks can be great. The treaty provided that the United States would remove all hazards insofar as practicable, and Washington took the position that because it did not want to spend the money to clean the firing ranges it was not practicable to do so.
Panama ignored the issue the last few years before the final US military withdrawal, but then the Pérez Balladares and Moscoso administrations, which had no real interest in cleaning the ranges, attempted without success to shake down the US government for cash payments in lieu of range cleanings. Panama has cleaned part of the Empire and Balboa ranges as part of the Centennial Bridge construction and Panama Canal expansion projects, but for the most part the old ranges remain uncleaned.
Now it turns out that among the more than 700 US Department of Defense contracts carried out in Panama since the bases closed at the end of 1999, we find a September 29, 2010 contract with Austin, Texas-based J&J Maintenance, to “upgrade ranges.” Which ranges? We only have the spread sheet that refers to the contract, rather than the contract itself, so we really don’t know. Lindsay-Poland points out that “this could be linked to the bases and collaboration with SENAN [Panama’s National Aeronaval Service], or to the Tropical Test Center, or both. It’s a concern.”
Those aeronaval bases
Certainly the assurances that the Martinelli administration gave with respect to a foreign military presence in Panama were false. But are these bases strictly for interdicting drug traffic, or for something else as well? On the contracting spreadsheet that Lindsay-Poland obtained, the base projects bore the code “CNT,” for “Counter-Narco-Terrorism.” In standard US military usage, that means the fight against FARC but not against garden variety criminal gangs or Colombia’s drug-funded right-wing paramilitary groups. Sociologist and political analyst Marco Gandásegui pointed out that:
Late last year the Defense Department signed a contract for a total of $4 million to build military barracks and a dock with military capabilities in “Puerto” Piña [on Piñas Bay in the Darien]. The place where the investment in the military barracks will be made (or is already being made) coincides with the area in which the Panamanian government denounced the existence of a FARC camp.
The spread sheet on the contract also provides a few more details on a situation that contributes to the Martinelli administration’s poor standing with the country’s indigenous communities, as it refers to bases in El Porvenir and Puerto Obaldia, which are in Kuna Yala. Puerto Obaldia is a predominantly Afro-Panamanian (and Afro-Colombian) enclave in the quasi autonomous Kuna commonwealth, but El Porvenir is in the heart of Kuna country, where the local authorities have made it abundantly clear that police or military bases are not welcome.
For his part, Lindsay-Poland has found some interesting things, but wants to learn more:
CNT refers to Counter-NarcoTerrorism. There are other projects that are funded by CNTPO, which is the Counter Narcotics Technology Program Office of the Pentagon.
These could imply either US or Panamanian use. That’s why I think pushing for disclosure of access agreements with the United States is key, as these would shape the terms of US use.
Volume 13, Number 16
August 19 – September 8, 2007
business & economy
Months ago, they said that full financing was lined up and almost all of the units were pre-sold…
Trump Tower project tries to sell bonds
by Eric Jackson
The most heralded symbol of Panama City’s upscale construction boom, the Trump Ocean Club, International Hotel & Tower Panama, appears to be in serious trouble. The $404 million project, which bears Trump’s name but whose main promoter is Colombian developer Roger Khafif, was according to rosy press releases issued last year fully financed and almost entirely pre-sold. Now the Newland International Properties Corporation, the consortium created for the project, has applied to Panama’s Comision Nacional de Valores (National Securities Commission) for permission to sell $220 million in private bonds to complete the sail-shaped luxury condo and hotel tower.
When the project was first announced, $220 million was the cost figure that Khafif and Trump first cited. That figure has in less than two years risen to $404, which can’t be entirely explained by rising materials and labor costs. Pre-construction buyers of units in the project had to put 20 percent of the price down, with further payments coming due well before the properties they bought are ever ready for occupancy. Notwithstanding that, a lot of the units have been “flipped” by speculators for even higher prices than would be owed to the developers. Work began on the project in May but is not at a very advanced stage.
That Khafif and Trump have had to go the private bond issue route is an indication that the promoters can’t get ordinary bank financing. Speculation among people in the real estate and construction industries is that with the US housing market in trouble and thus the anticipated trend of baby boomers exchanging their homes in the states for new places in Panama likely to slow as a result, and with the collapse of several other high-profile construction projects, it’s going to be hard to sell those bonds to private investors as well.
However, another current of murmurs from among a section of the real estate industry and its acolytes has it that if the Trump project collapses it will take the rest of Panama City’s upscale housing construction boom with it, and thus everyone who has Panama’s best interests in mind will support whatever it takes to rescue the development. It can be reasonably anticipated that, with the privatizations of several public pension funds, these murmurs may mutate into an insistence that public employees’ retirement funds or the Social Security Fund buy these bonds. In the latter case the 2005 privatization law requires that bonds be rated at least AA for Seguro Social to buy them and in any case that would put Colombian and American interests in competition with Panama’s oligarchy for control of a major portion of the country’s retirement savings. There will be no public bailout of the Khafif/Trump project without a huge controversy that will not only reignite the 2005 brawl over pension fund privatizations but most likely also divide the nation’s business sectors.
A real estate analyst for the Dallas Morning News concluded that “It’s hard to find evidence that white-haired North Americans from Florida, California, New York, Texas and Canada are mounting an invasion of retirees, and you can almost hear the air escaping from this bubble.” One of the local developers who has long been skeptical of the speculation in high-end real estate in Panama City added that “They certainly will have difficulties selling the bonds and yes it shows that Khafif was full of BS when he said all financing was lined up.”
“Patriot” militia radio personality to offshore investment hustler
Note that the guy charged the author with criminal defamation and lost. This article was erased when The Panama News website was destroyed by hackers in 2013-2015, and later the copy was wiped from the Wayback Machine Internet Archive. But this was retrieved from a friend whose site was used as a “mirror” so that the public record could not be erased.
Changes name, still a scamster
by Eric Jackson
Remember the US “patriot” militia movement from which Oklahoma City federal building bomber Timothy McVeigh came? That confluence of racist, neo-fascist, survivalist, tax resistance, weapons obsessed, “Christian identity” and apocalyptic strains was shoved farther out into the margins of the political wilderness when McVeigh lived out one of their favorite fantasies and then the Bush administration carried out some of their other ones.
But for the most part, the people involved didn’t just go away. Some of them are grabbing headlines today in the guise of anti-immigrant militias.
However, for some people the patriot movement was good business. Take one Mark Boswell, for example. A law school dropout, he formed the “American Law Club” and hosted Denver meetings at which followers of the right-wing militia movement were instructed that they could become rich by filing “non-commercial judicial liens” against their least-favorite prosecutors, judges, elected officials or companies. In addition to a series of pricey “law seminars,” Boswell would sell his “Civil Rights Task Force” jackets, deliberately made to look like the FBI and ATF apparel, and genuine-looking fake law enforcement badges. Boswell urged his customers to buy the things, wear them to court when their favorite tax resister or weapons law violator was in the defendant’s dock, and warn judges and prosecutors that they were being watched.
Boswell’s legal expertise only went so far. In 1995 he was one of the stars — along with other militia types and a couple of far-right Colorado Republican legislators — at a Canon City, Colorado “common law grand jury.” (This was not a judicial entity but rather a political gathering convened to discuss such theories as how the Internal Revenue Service doesn’t really have any legal basis for its existence.) When the assembly broke for lunch, police arrested Boswell on a fugitive warrant stemming from charges that he used fake ID when stopped for a traffic violation and that he used a bogus money order to buy a Mercedes. Colorado State Senator Charles Duke (R-Monument) lauded Boswell as a political prisoner.
The patriot movement paraphernalia and seminar business was greatly assisted by Boswell’s weekly talk show on KHNC radio, a Denver station that was rebroadcast in other US locales and by shortwave all around the world.
But then on April 19, 1995 one Timothy McVeigh, a messed up former soldier with a reputation for killing surrendering Iraqi soldiers during the first Gulf War but who left the US Army after washing out in his attempt to join the Delta Force, lived out a neo-Nazi fantasy woven in a novel that was popular in right-wing militia circles and blew up the federal building in Oklahoma City.
Ten days after the deadly blast Boswell went on the air with the tale of how a former CIA guy and another “witness” had heard and obtained affidavits from — the latter conveniently not produced — two unspecified Justice Department officials that a shadowy “Committee of 10” involving the Clinton White House, the Bureau of Alcohol Tobacco and Firearms and the Secret Service (the latter both part of the Treasury Department rather than the Justice Department) were actually the ones who did the deed.
The general outlines and most salient details of the truth about the Oklahoma City bombing did, however, come to public attention. It was a big disaster for Mark Boswell’s radio career and patriot paraphernalia business. So what’s a more patriotic than thou American huckster to do after an embarrassment like that?
First, Mark Boswell assumed the name “Rex Freeman.” Then, as he described it on Roger Gallo’s Escape Artist website, he
…left the USA probably for many of the same reasons most do; the erosion of rights, the lawlessness of the courts, the intrusions of privacy, the omnipresence of big brother and the general mental decay of society. What once made America great, is now gone, or at best is quickly disappearing and I’d had enough. It was time to go.
My wife and I packed our things, put our little dog under the seat of the plane and headed south. Not being too sure of where we’d end up, our original idea was Panama. However, we made a stop over along the way in Costa Rica five years ago, and have never gone any further.
We are not wealthy retirees. I’m 46 and she’s, well, she still won’t say, but we had a very limited nestegg and the clock was ticking for us to find something to do to support ourselves. Neither of us spoke any Spanish (still don’t very well) and we’ve been living on tourist visas for 5 years. Not a very stable situation.
I have always been enamored by the idea of living the ‘PT’ lifestyle (Permanent Tourist – Previous Taxpayer – Perpetual Traveler) and now was my chance. It was very clear under this philosophy, that in order to sustain this without a substantial trust fund, that you must have a ‘portable business’ which allows you to operate from anywhere in the world.
I threw up a website and started offering financial privacy consulting services helping other ‘escapees’ protect their financial affairs….
Freeman (Boswell) wove a web of offshore Internet businesses, which, unfortunately for Panama, did get farther than Costa Rica. These include:
InterGlobal Finance SA, which is registered in Panama but lists its “administrative office” in Costa Rica, and whose website contains a revealing detail for a Panamanian company owned by an American citizen that operates out of Costa Rica: it says that it doesn’t serve clients in Costa Rica, Panama or the USA.
A “business club” known as the Venture Resources Group, which held a seminar this past May at the Playa Bonita Beach Resort, and whose website includes banking as one of the services it offers and lists InterGlobal Finance as the page’s copyright holder;
PCI Investment Club, another business registered in Panama but apparently operated out of Costa Rica; and
Gold Palace, an online gambling operation that apparently went under in 2004. The www.sportsbookreview.com website has issued a “scam alert” for this company and warns that Freeman may have reopened it under the name WinBig.Biz.
One of the salient features of the InterGlobal Finance website, and a common theme in most of Freeman’s promotions, is name dropping. Listed as “partners” are the Panamanian law firm Cajigas & Co., Credicorp Bank, Banco Cuscatlan, JPMorganChase in New York and UBS in Switzerland. For the Play Bonita “Power PT” seminar, Venture Resources Group and InterGlobal Finance named attorney Enrique Cajigas as a panelist and dropped the names of The Financial Times, BBC, Fox News, Canadian Broadcasting Company, Reuters, Asahi Shimbun, UBS, Jyske Bank (Denmark), Harvard University, the University of Houston Law School, the European Tax Institute, Deloitte & Touche, Costa Rica’s Bolsa de Commercio commodities exchange, Denver University and the Colorado Supreme Court.
When contacted by The Panama News, Enrique Cajigas told us that “I did not know of this conference or that my name appeared.” He said that he did incorporate some companies for Freeman but knew nothing of his alter ego Mark Boswell or his militia past, and knew nothing about Venture Resources Group.
So what do you get when you buy into the Rex Freeman network?
For a modest $15,000 “one time investment” in Venture Resources Group, you will be promised a half-dozen “profit centers.” “The beef,” as the website puts it, is “an entry level to Privacy Club Internacional (PCI). PCI has the Prime Rib and choice cut Tenderloin.” As in “having active, operating, foreign companies or trusts working in low tax environments to manage business, investments and other revenue enhancing activity.”
As a Managing Director in PCI your bonuses in the one level pay plan will be $750, $750 and $1000 on each of three different products which all your members will participate in. That’s $2,500 per member and with our ‘viral marketing ‘2 Up’ system, you can start multiplying those figures times 10, X 20? X 50? Work out your own figures !! Are you prepared to make $250,000 this year?
This describes what in some jurisdictions is considered an illegal pyramid sales scheme, but which might more charitably be compared to an Amway pitch. At least Amway sells soap and stuff with their greed and right-wing ideology. The Venture Resources Group sells deceptively promoted seminars and cranky literature along with their greed and right-wing ideology.
For example, PCI members get the WG Hill Privacy and PT book collection on CD. The titles include
“The ‘PT’ (Perpetual Traveler, Previous Taxpayer, Permanent Tourist)”
“How to Become an Honorary Consul”
“The Passport Report”
“Portable Trades & Occupations” and
“The Invisible Investor”
The latter work has been hawked in Panama before, by its co-author and publisher, one Marc M. Harris, now and for the next several years a resident of a US federal prison. Harris, the so-called “offshore asset protection guru,” also started out in right-wing US political circles — he was the Florida manager of Alexander Haig’s ill-fated primary campaign for the 1988 GOP presidential nomination. But then Harris got his Florida CPA license yanked for doing an audit of a company he owned without disclosing the conflict of interest and subsequently fled to Panama. Here he put a Che Guevara poster on his wall and affected a revolutionary posture, attracted such admirers in the PRD as now Housing Minister Balbina Herrera, obtained the protection of the thuggish former Attorney General José Antonio Sossa, tooled around town in a Jaguar and had a great time until the pyramid collapsed and the Comision Nacional de Valores held that his operations were unlicensed and thus illegal securities businesses. A flight from creditors to Nicaragua was cut short when Harris was arrested and handed over to American law enforcement, who wanted him for money laundering.
All of the foregoing raised many questions in this reporter’s mind, these of which were put to Freeman (Boswell) by email:
Is Venture Resources Group registered with Panama’s Comision Nacional de Valores or its Superintendencia de Bancos?
Is InterGlobal Finance registered with Panama’s Comision Nacional de Valores or its Superintendencia de Bancos?
In your Escape Artist article you said that you were headed to Panama but stopped in Costa Rica along the way and decided to stay. Have you decided to move to Panama?
At www.privacyclub.org/short_tour/benefits_main.htm you promote a book, “How to Become an Honorary Consul,” and allege a 100 percent success rate. How many honorary consuls in Panama have become such due to information you have provided?
Why should people not presume, on the face of it from your own promotions, that Venture Resources Group is a pyramid scheme?
Two of the emails provided on Freeman’s websites didn’t work — one was apparently lapsed and the other had this “spam protection” feature that wouldn’t let this reporter’s queries through. The third address was the charm, and within a few hours it elicited the following response:
Re: Your Questions
From: “Strategic Management” <email@example.com>
Date: Wed, August 2, 2006 6:01 pm
I’m in receipt of your email and your questions.
By the slant of your questioning, it appears to me that you are not looking to write an objective article based on the facts.
Rather than ask about our legal registration with regulatory authorities, why don’t you ask about the nature of our activities to understand us enough in order to know if that is even appropriate? Maybe you don’t care about that.
Rather than ask if we are an (illegal) pyramid ‘scheme’ why don’t you define that for us first with specificity as the law defines it and then compare the actual characteristics of our program to such a scheme? Maybe you don’t care about those facts.
Rather than create an adversarial environment with pointed questions coming from ‘left field’ and without introduction or establishing any premise for a dialog, why don’t you ask for an interview with full disclosure of your purposes and intentions from the beginning? Maybe that’s not important to your ‘objective’.
It is clear to me that with your clumsy and unprofessional approach that you are not interested in the facts, but rather are looking for justification to go on a witch hunt.
I have plenty of experience with editors like you and under those circumstances you will write what you like to suit your agenda, regardless of the facts.
Therefore, there is no need for any interaction with me.
If you wish to have a meaningful and honest dialog and operate in good faith with clean hands, I am happy to accommodate. That’s the only way I operate.
However, that is not what I see from you so far and thus, I’m not interested in what The Panama News has to say. Our market is not in Panama.
Be careful to stand on the truth, the whole truth and nothing but the truth. Your activities are very public and anything less than the truth always causes problems.
Now, now. Just because this reporter who did graduate from law school and pass the bar just had a few questions and didn’t care to argue the intricacies of law with the champion of a third-hand hearsay fantasy about how the feds set off the Oklahoma City explosion….
And hey, now’s the time to buy! If the president, first lady and agriculture minister can get on the Internet to pump mafia-linked teak swindles, and the vice president and the administrator of the Panama Canal Authority can meet with the likes of jailed political fixer Tongsun Park, everything’s for sale in Panama. That includes the venture that Freeman a/k/a Boswell promotes as follows:
At this stage of the game, we have developed the perfect’PT’ business. We generate significant profits from our computer using online, internet based trading platforms in the Fx markets. We can also trade stocks, precious metals, indexes and commodities if we like and we do play with that to a limited degree.
I can do this anywhere! The Fx markets trade 24 hours a day, 5 days a week. We recently took a trip to Europe. I could hook up my laptop in the hotel room to a broadband connection which is now readily available in most’name’ hotels. No matter the time of day, or wherever I am, I can make money in the market. I was conducting my business in between tours in Paris, Vienna, Zurich, Lucern, Copenhagen and London !
What freedom! Being able to enjoy the best that the world has to offer, and my trading along the way paid for the trip, and then some!! How else can you do that?
In our training and development stages in the Fx markets we sorted through the bad and kept the good and have put all of this together now, into a complete training and support system for the benefit of others. We now wish to share the best of what we have learned and help others take shortcuts that we did not have available other than through our own trial and error. Through all of this experience we have developed a winning system and portfolio of resources that allows us to generate profits from our computer, from anywhere in the world, anytime of the day! I believe now, I am a true’PT’!
We have now put together a private investment club with an internet delivery system which allows access to the training and support materials we feel are needed for success. So, for those who seek the types of results in their lives that we have shared here, we are pleased to help and get you on the right track.
It was written as such on EscapeArtist.com, so it has to be true. Doesn’t it?
A charming extortion note from Tom McMurrain…
I hope you wake up one day
You met me and my wife at the Bristol. In the beginning we tried to prevent from laughing until we learned that you were actually somewhat human, so we thought. After all, you come to a five star hotel in the equivalent of a Mickey Mouse t-shirt. You were sincere in your conversation in that you are willing to look seriously at the real facts of San Cristobal, BUT you failed to make any effort! You are obviously one of the yellow journalists of Panama and I am going to put you in jail because you are a liar hiding behind a self-proclaimed disease and corrupt business practices. (Any reporter or editor that does not check his facts is not a real editor) What is wrong Eric; did your dad not respect you, did your mother touch you the wrong way? Is that why you try and tear down people who are doing good for Panama? I create jobs and you hide like a rat. Show up for court you coward. You are a city RAT just like Okke — What is your address?
You printed false information about my company and you stand by it and that’s why you are sucking wind and begging for money (The law of retribution). You have NO morals! Instead of making a living being an editor of a reputable business you beg! You are not a journalist. You are an Internet beggar! That is why you and Okke are butt buddies I guess. He is broke too by the way, (have you seen the shack he houses his wife and child in, it is depressing — but he is your friend) oh yea so is your convicted buddy Michele Lescure. Are you sleeping on her floor like you do your sisters? What’s wrong; did the lack of your anti-depression medicine set in? You have got to be the biggest loser I have ever met in my life because you are a paid liar and I have no respect for you. Are you being paid? Is Okke subsidizing your medication? Wake up and smell the coffee and realize that I am generating foreign direct investment for Panama and creating jobs that’s why people like me and not you.
You have chosen the low road and you have attempted to drag me into your miserable gutter. Guess what Eric? It won’t work because I am focused on bringing wealth to people through the incredible timing of this beautiful country. It is not my fault that people don’t take you seriously — you are negatively focused — you are a self-proclaimed begga… I AM GLAD I AM NOT YOU! You have had a chance to do good for this country and you have been nothing but a road block in its forward movement. You criticize Mireya…. Let us look at the facts; in the last five years she has dealt with 9/11, a 90% drop in foreign direct investment, a global recession, 7,000 properties coming up for sale and she lost 10% of her country’s revenue — but I am sure you can do a better job… (in your Mickey mouse t-shirt) you are nothing but a depressed fat loser hiding behind a keyboard and a computer screen. I hope this great country sticks it to you; you deserve it!
You are nothing better than a street-internet beggar and you do nothing good for Panama. I hope Sossa puts your life in a vise. God knows he has a tough job to do Öbut I am sure you can do it better, what an ego you have to be critical. (Can you even pay your water bill?) You can’t even support yourself you loser (I would vote for you to run a country… loser HAHAHAHA). You are doing nothing positive for Panama but tearing it down. If you don’t like Panama why don’t you leave? Crawl back under a rock… nobody will miss you not even Okke! (He has his own newspaper if you haven’t heard.)
If you need money for a plane ticket and the money to pay Sossa for your overdue debt to Social Seguro I will gladly pay it if you check into a place where you can get the necessary treatment you need. If it is any consolation I will be glad to buy you sorry website for $10K. Consider this firm offer until March 24th! After the 24th you are screwed!
Editor’s note: I would NEVER wear Mickey Mouse, to a five-star hotel or anywhere else. It was Charlie the Tuna.
Update: Tom (and his lawyer Michael Pierce) desisted in these efforts when Tom was arrested, extradited, tried, convicted and imprisoned in the USA for one of the scams that was accurately described in The Panama News. Panamanian justice never prosecuted his string of frauds here. Now out of prison, McMurrain styles himself as the Dalitomma, as in a minor league guru of greed. I stand by what I published.
Meanwhile, a series of hacker attacks that probably began in 2013 and peaked in 2015 has largely scattered The Panama News archives, which can largely be rescued from other places — cached online archives, old discs and so on. But it would take a monumental amount of labor to fully restore the archives. This bit of them we have recovered.
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The announcements below are interactive. Click on them for more information
NAFTA has hollowed out the middle class
Thanks to your efforts we helped defeat the Trans-Pacific Partnership. Now we need your help again as the Trump administration seeks to renegotiate the North American Free Trade Agreement.
NAFTA and trade deals like it have been disastrous for workers and the environment. In the last several decades, American manufacturing has plummeted, and good paying jobs have been outsourced. Working families in our trading partners have similarly been displaced and disadvantaged by the same multi national corporations. We need fair trade that works for citizens and the environment!
This Tuesday, I will join other labor, environmental and trade activists as we rally in DC calling for fair renegotiation of the North American Free Trade Deal (NAFTA). Add your name to the petition we will deliver to the US Trade Representative calling for a transparent process that benefits workers, not corporations.
Rather than defending our manufacturing jobs and raising living standards for working families, NAFTA made it easier for large multinational corporations to move jobs out, and avoid regulations that protect workers and the environment.
Our trade deals have favored Wall Street and the largest corporations for far too long. We need a radical reimagining of what our trade policies are set to accomplish, and that begins with NAFTA. Please sign our petition calling for a renegotiation that benefits American workers, not Wall Street and multinational corporations.
Trade deals can be good for our economy, our workers, and the workers in our trading partners. Together, we can fight to make NAFTA the trade deal it should be: one where workers are treated fairly, the environment is treated with respect, and corporations play by our rules, not their own.
Thank you for taking this bold stand for workers everywhere.
A point of personal privilege: the editor is campaigning this week
Eric Jackson for chair of Democrats Abroad Panama
vote Saturday, April 8 at 1 pm at the Balboa Union church
or send your proxy to firstname.lastname@example.org
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These announcements are interactive. Click on them for more information.